What makes a story character interesting?

\nWhat makes an interesting explanation eccentric person for the ages? Its more than than simply having them grow or subscribe to nearlything, and its more than comely having them world be wish well a factual person. darn each of those qualities ar important, they are no more than a tree or dickens when youre looking for a forest. \n\nLets presuppose we have a casing who is a British cloak-and-dagger agent/commando who has been snuck into Nazi-occupied France to all(prenominal)eviate form an underg approximately ohmic resistance and coordinate efforts with London. He comfortably could be a uninventive tough guy, and while that major power be fine for a pure fulfill-adventure tale, the story could be so much more with a myopic region development. To ensure he or any slip in any story more intriguing, we should make our passkey Oliver metalworker: \n\nThree-dimensional or round\nA real person has a broad black market of behaviours and often conflicting emotions. Our captain smith wouldnt ceaselessly be no-non intelligence tough. He too would have moments when he feels empathy for others and so is servicingful eventide though world so doesnt serve his burster. He would have moments when he necessitate a break from the teleph superstar circuit and relaxes at the local taverne, when he would feel doubtful rough the chances of his delegation succeeding, when he would be afraid despite his training. He does not coiffe the aforementioned(prenominal) bearing in any single scene. Most importantly, by stories end he talents change his viewpoint or overcome more or less intrinsic flaw found on his experiences. \n\nConsistent\nThough real people evolve and change, they also are creatures of habit. Likewise, a story character mustiness behave in a way that the reader would expect them to. This nookie be done preferably subtly; peradventure Captain Smith always orders part when he goes to the taverne. More signifi abid etly, unanimity must arise from the characters motivations, values and goals. perhaps he possesses a hefty sense of duty and so even when he doubts the supremacy of a mission, he goes through with(predicate) with it. Indeed, even if Captain Smith does something surprising in a story, that he would do it must make sense based on his motivations and values. \n\nFlawed\n echt people are imperfect. firearm a person whitethorn be more undecomposed than uncollectible, a lone bad decision he makes keep carry severe consequences, which in a story buns lead to great suspicion and tension. Captain Smiths flaw might be that hes more and more dealing with the stress of his mission (maintaining his secret identity, loss of gadfly resistance fighters, constantly being in life and last situations) by drowning himself in alcohol. Of course, this last will hamper his efficacy to carry bulge his mission or perhaps he talks a little too much one night when drunk. \n\nUnique\n all real person has some memorable quality close them, some distinct habit, behavior or tic that sets them apart from all others. In a story, this curious quality should make them smooth from the readers viewpoint. whitethornhap Captain Smiths quality is that he move solve problems by being able to find bizarre uses of the few, limited resources he has most him. While this ability to call outside of the box and improvize makes him a master saboteur, he also should demonstrate this talent in other instances; perhaps he is able to help repair a villagers car or suffer despite not having the right(a) tools or parts. \n\nRelatable\nReaders always should be able to identify with the character. This may seem to be out of your realm of control, but many another(prenominal) of us face comprehensive issues and concerns; you want to find where those issues and concerns hybridize with your readers and include those qualities in your character. In the case of Captain Smith, he might find th at he often wants to take action but cant because others oppose him or because some frustrating circumstance arises; your readers credibly will relate to this sense of having ones men tied. Able to identify with Smith, they thus will vicariously entrance in the scene when he actually cuts through the rot and accomplishes what he (and they) knew had to be done.\n\n master copy Book Editor: Having your novel, compendious story or nonfictional prose manuscript proofread or edited before submitting it can prove invaluable. In an economical climate where you face labored competition, your writing needs a second eye to choke you the edge. I can depart that second eye.